Titanic Belfast by todd architects

The building's form conjures up a mass of maritime metaphors; its four projecting segments are instantly evocative of ships prows ploughing their way through the North Atlantic swell.

The building concept created an architectural icon that captures the spirit of the shipyards, ships, water crystals, ice, and the White Star Line’s logo. Its architectural form cuts a skyline silhouette that has been inspired by the very ships.

Behind this shimmering crystalline facade, four dynamic ships hulls hold nine galleries. Glass balconies overlook the shipyard, drawing office, slipways, and Belfast city centre. The five-storey central atrium is inspired by the majesty of gangways, gantries, cranes that filled the void between the Titanic & Olympic when they lay side-by-side upon the slipways.

The Crystal by schmidt hammer lassen architects

Freestanding on the site, the building reads as a transparent, geometrical, glazed form which, resting only on a single point and a single line, floats as a visually light, crystalline structure above the plaza. The building and the plaza are designed to interact with each other and with the surrounding city

In terms of both form and scale, the building is intermediate between the city and the harbour, and harmonises with neighbouring buildings. On the southern side, it rises with reference to the gable apex of the “Elephant House” and creates space for the main entrance. 

The double-glazed façade has integrated solar screens and is decorated by a subtle silk screen frit design that mitigates solar ingress, reflects daylight, and gives the building a homogenous expression which enhances its sculptural form.

San Sebastian Subway Entrance by snohetta

The entrance design is based on a continuous movement from underground level to over ground, and vice versa. The design element goes from being a ceiling structure underground to create a roof structure over the stairs and up over ground. The structure describes the transition between the two states and connects the city life with the metro world.

The roof structure extends the width of the stair creating an area on the side where we have placed a bench and information signing. This will give the entrance a connection to the street life and create small urban spaces around the entrance where it possible. 

The roof and ceilings structure is built up as a honeycomb structure in aluminum or steel. The pattern of the honeycomb is inspired by marine structures and geometry. The honeycomb structure is a sufficient way to build up a light open structure with depth. For the roof portion of the structure can be glazed on both sides and will behave as a sandwich structure. The idea is that the honeycomb structure is the basic element which other element can be added on, like glass on top side of roof portion, railings, sidewall or bench

Milanofiori Housing Complex by obr

The interface between the building and the garden becomes the field where interaction between man and environment takes place. This interface is defined by the “C” form of the complex which encompasses the public park, and by the porosity from interior to exterior that characterizes all 107 apartments. The two facades are designed differently with one more urban, facing the street outside, and the other one more organic, facing the inner park.

The design of the urban facade stimulates a sense of belonging thanks to the composition of white frames which identify separately the units. These frames include vertical wooden panels of different widths which can slide across the frames and control the inner light as necessary. The organic facade overlooking the garden features double glazed bioclimatic greenhouses. The co-planarity between the glass of the greenhouse and the glass guardrail covering the string-course creates an effect where the shape of the construction and the background merge and reverse their roles constantly, producing kaleidoscopic effects overlapping the reflection of the public garden outside with the transparency of the private garden inside. 

The geometry of the building is shaped by translation of the upper levels in line with positions of optimum solar exposure and by tapering of the external terraces in order to increase introspection among residents. The winter garden has a double value: an environmental value in providing a buffer zone which allows thermal regulation, and an architectural value in allowing extension of the interior living space towards the exterior landscape (and vice versa) permitting different uses from summer to winter.